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Showing posts with label Melbourne. Show all posts
Showing posts with label Melbourne. Show all posts
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I DO IT BECAUSE I LOVE IT...

 I don't believe I have to explain my graffiti obsession anymore or why I had to run out of the car to take a photo of THAT... or pull my friend into an alley to take a picture of THIS...
I'm not crazy, because I get a little too excited by street art or clutter my hard drive with backup pics of graffiti. 
I just do it because I love it...And, I hope you love it too. 


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Fashion Capitals of the World

Fashion is that ever changing whimsical interpretation of our times. The sixties had their sexual revolution through the mini skirt. The eighties had the power and money in the shoulder pads and over sized baubles. And, the nineties had heroine chic and grunge in a  nod saying ''We don't care!" So, what are we saying in 2012?
I think that with all that is at our disposal and our ever growing online networking and celebrity obsessions we're saying globalization...

Contrasts of sensual stark photographs were featured alongside an industrious gown at ‘Fashion Capitals of the World’ . Plastic and metallic surfaces were integrated into prim tailored garments. It was an exhibit posing the contrasts of beauty and rebellion, history and the future. The year 2012 is certainly not the end of the world, but a year of reflection and moving forward…


‘Fashion Capitals of the World’ is an exhibit interlocking five international design schools and twelve internationally acclaimed fashion photographers for a visual delicacy of the industry’s finest and brightest talent.


Held at the AustralianAcademy of Design, the garments of the international design students were showcased for one night only on March 26th.
However, the photography will be display until April 5th.  So, until then expect to enjoy the rawness of Takeshi Miyamoto or wink at the cheekiness of Sarah Johanna Eick (Dogs in bow ties and blonde side do’s)…


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Art Boy's Fairy Tales



What’s brewing in fairy tale land? How about ArtBoy’s exhibit featuring roughly 25 different Melbourne artists painting, sketching, or digitally computing their interpretation of their favorite fairy tale? But, these aren’t the tales of the little damsels from my school days. Red Riding Hood’s clenched fists say ‘I can handle myself.’ Who’s afraid of the Big Bad Wolf now?
ArtBoy, that bold alabaster space on Greville Street in Prahran, is a retail and exhibition gallery for Melbourne's talent. Featuring only the most audacious and progressive artists in group shows, ArtBoy seamlessly blends the emerging and established in themed exhibitions…An animated thrill every time. And, I've been favoring ArtBoy for a year now.

Why do we love Fairy Tales so much? There’s Hansel & Gretel, the abandoned children who had to flee from an old lady trying to eat them, Snow White who had to flee from her Step Mother trying to kill her, and who can forget beautiful Rapunzel whose father bargained her for his life. Why do we read these stories to our children before bedtime? I’ll tell you why. Because, Hansel & Gretel cooked that old witch, Snow White lived happily ever after, and Rapunzel found her prince. Defeat and triumph over adversaries Hans Christian Anderson was trying to say…


ArtBoy’s Fairytales will only be on view until mid April before they move on to their new exhibit 'Going Nuts'. I highly advise taking a peek at Granny Red in her bustier or the Good Huntsman who’s credits boost not only a swelling eight pack, but I think the card underneath read he was a plastic surgeon as well. I always enjoy interesting spins on Classics…
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Come Back To Me Cilla Jane



Life kindly graces some with all the enduring qualities that make mothers proud and all those around her love her. With an honest smile, unending kindness and a beautifully melodic voice, Cilla Jane is the girl Life has smiled upon. She shares that smile through her music.
“Music is a universal language…expressing the inexpressible and getting in touch with emotions.” ~Cilla Jane

It is a language Cilla has been expressing since the tender age of seven. Her floating vocals enchant with tales of wise owls and her body made of glass. She nudges your heart with her honest sensitivity, but in other songs you laugh with her and share her jubilant joy of life and freedom.


“Hold your breath, jump over the edge. Close your eyes. Hold on for the ride…Won’t you sail with me just to be carefree.” ~ Cilla Jane ‘One Deep Breath’



Sailing off to Paris in April, Cilla played a goodbye matinee at the Northcote Social Club this past Sunday. “Je veux de la bière." I lounged on the carpeted floor in front of the stage and stared up at one of Melbourne’s gifted singer songwriters.

“Come Back To Me” was a love song she sang with sweet hopeful o’s and a happy longing for what is yet to come. Ironic, though for such a song to be linked to her telling the audience it would be her last performance in Melbourne for awhile…
‘Goodbye’ was my best love song of the Sunday afternoon. Her voice bellowed with a strength that tore away from the typical sweetness played in her other sets. She sang of the difficulty of saying goodbye, of someone who would miss her, but how she had to go...

“I left it all far behind. And I’m moving so fast you couldn’t even catch me if you tried… All these places I have yet to see. All theses doors open. Open up for me.” ~Cilla Jane ‘On My Bike’



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Old Skool New York Graffiti


PARTONE WANE FUZZONE EZO DUSTER TRACY 168 CES TKID DOC GHOST NOC 167 DASH IZ THE WIZ SYE BLADE KET MERES STAY HIGH DOVES MARE 139
SONIC INK QUIK SPAR


These are the names of twenty-three Graffiti Kings who sparked the pop culture phenomenon in the 1970's. Rtist Gallery highlights these artists and their bold rebellious form of expression in an exhibit titled 'New York City Kings.' For over 20 years they have challenged the idea of art with vibrant colors layering cities with a beauty that, when read between the lines, tells a story to the public by the public.





Stay High frequently tagged himself as the "voice of the ghetto" splashing entire cars with his writings.

"In actuality we brought life to those steel boxes {subways} that carried the sheep to work everyday." ~ NOC 167

Walk around New York City and graffiti is unapologeticly in your face either lightly splashed on trash cans or sprayed on an entire building as a public mural .
Walk into Rtist Gallery and graffiti is boldly sprawled on the walls or long sheets of paper hanging from the ceilings. The bright animations hold a life of their own, ready to jump out at you. Even bubble letters only etched in gray ink hold a vibrancy, a heartbeat that tells a tells a story. It's a story that spans across subway maps, large yards of paper, and an outdoor installation. With varying rooms and enclosed spaces, the gallery holds an impressive collection that clearly punctuates the varying styles of the Graffiti Kings.

"We're just trying to be creative and express ourselves." ~Wane COD

Even though New York City has illegalized it, commercialized it, grown bored and has even painted over it, the tattle-tell bright bubbles of prints and colors has remained energetically sprayed on buildings, cans, walls, and more over the last four decades. Now, the world has embraced it and Rtist Gallery welcomes these twenty-three artists as cultural icons.

"You're standing there in the station, everything gray and gloomy, and all of a sudden one of those graffiti trains slides in and brightens the place like a big bouquet from Latin America."Claes Oldenburg Swedish American Sculptor


Rtist Gallery will be viewing 'New York City Kings' until March 18th.
"This could possibly be the largest line-up of NYC's graffiti communit ever assembled outside the US."~Jeremy Gaschk Head Curator







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Flowers


Black and white is always striking. Flowers are yonic. Blend well and welcome your eyes to a voluptuous wanton of emotion. That is how I describe Huang Xu's exhibition 'Flowers.' 'Beautiful', 'breathtaking', and 'striking' might come to mind when gazing into the depths of one of his blooming clusters, but for an artist who gives with such exquisite skill and emotion, I feel that the common 'beautiful' is well...feeble.







Spotlighted and framed against the walls, at first glance Xu's images erupted a slight gasp from my lips. The sharp focus of his lens stirred the petals into a theatrical waltz where they bellowed and moved in an extraneous way that was both angelic and carnal.














Suspended in black and framed in light, the flowers evoked the come hither exoticism found in the creatures of the ocean's depths. Under Xu's interpretation they looked far removed from the plum, orchid, chrysanthemum, and bamboo that they were, and erred on the edge of being beyond our world.










My first experience of Huang Xu's extreme close-ups was like an overwhelming sensual escape into the beauty of art. Through the folds and gaps of the petals, his play of dark and luminous, Xu invites the audience to an other worldly arena. The overlooked is emphasized through scale and light to compose a theatrical feat rarely experienced in still life.
I invite you to visit one of Melbourne's Contemporary Art Spaces, Arc One Gallery where you can experience his stills yourself until April 14.



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